Memory Pieced Strip Sampler Quilt: Trade, Commodity, Exchange & Goods - Trading Post: Exchange and Sojourn exhibition Northern Clay Center (NCECA 2019)

detail - Memory Pieced Strip Sampler Quilt: Trade, Commodity, Exchange & Goods - Trading Post: Exchange and Sojourn exhibition Northern Clay Center (NCECA 2019)

Memory Spoon: ‘the elegant parlor and special room of Harriet Forten and Robert Purvis (1810-75), (1810-1898), porcelain, paper clay, resin with embed flowers (from garden of artist), cone 6 oxidation, silica sand, black sand

Memory Spoon: ‘the elegant parlor and special room of Harriet Forten and Robert Purvis (1810-75), (1810-1898), porcelain, paper clay, resin with embed flowers (from garden of artist), cone 6 oxidation, silica sand, black sand

detail - Memory Spoon: ‘the elegant parlor and special room of Harriet Forten and Robert Purvis (1810-75), (1810-1898), porcelain, paper clay, resin with embed flowers (from garden of artist), cone 6 oxidation, silica sand, black sand

from seed to hand, mine’, Stoneware, Porcelain, Black Clay Slip, Kanthal Wire, Sea Island Cotton, Cone 6 Oxidation, 2018 - Chotsani Elaine Dean

'outbid, freed without money' - porcelain, kanthal wire, cotton, cone 6 oxidation (cotton grown by artist) - Trading Post: Exchange and Sojourn exhibition Northern Clay Center (NCECA 2019)

Memory Spoons: Georgia Gilmore and the Club from Nowhere, no.5: on how Edna Lewis's family sent ham, eggs and cornmeal to her in NYC; porcelain, paper clay, resin embed with cotton grown by artist, black sand, epoxy, cone 6 oxidation, 2019

Memory Spoon: ‘plantation values, the tension and only available pride, as she waits for her cotton bushel weight to be revealed, then a victim of her success for another’s reward’; porcelain, paper clay, resin embed with cotton grown by artist, black sand, epoxy

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Plantation Sugar Jar: ‘for Chloe Spears, (1750-1815)”, 2017, Porcelain, Paper Clay; 5.5” x3.75” x 3.75”

Plantation Sugar Jar: no. 2 ‘for Chloe Spears, (1750-1815)”,

Plantation Sugar Jars: ‘for the washerwomen, maumas, exodusters, Jubileers’

detail - Coded Sampler Quil: no.2, ‘from the Nadir, I hear them’ Ceramic tiles, stoneware, porcelain, earthenware, Cone 04, 6, 10

Memory Spoons: ‘Georgia Gilmore and the Club from Nowhere’, no.2 2017 - one spoon from series of 3

Memory Spoons: Georgia Gilmore and the Club from Nowhere, no.4 Georgia Gilmore stood up in court, was fired and blacklisted, National Lunch Company; porcelain, paper clay, resin embed with cotton grown by artist, black sand, epoxy, cone 6 oxidation, 2019

Memory Spoon: ‘plantation values, the tension and only available pride, as she waits for her cotton bushel weight to be revealed, then a victim of her success for another’s reward’; porcelain, paper clay, resin embed with cotton grown by artist, black sand, epoxy

Memory Spoon: ‘plantation  values,  the tension and only available pride, as she waits for her cotton bushel weight to be revealed, then a vicitim of her success for another’s reward’; porcelain, paper clay, resin embed with cotton grown by artist, black sand, epoxy

Memory Spoon: ‘plantation values, the tension and only available pride, as she waits for her cotton bushel weight to be revealed, then a vicitim of her success for another’s reward’; porcelain, paper clay, resin embed with cotton grown by artist, black sand, epoxy

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Memory Cup series: ‘what I would ask of Phyllis Wheatley, our time for tea’ 2018

Memory Cup series: ‘what I would ask of Phyllis Wheatley, our time for tea’ 2018